If you'd like to support our preservation efforts (and this wasn't cheap), please consider donating or supporting us on Patreon. Thank you!
Titanic: Adventure Out of Time
| Titanic: Adventure Out of Time |
|---|
|
Developer:
Cyberflix
|
Titanic: Adventure Out of Time is Cyberflix's best-selling game set around the Titanic disaster.
| This article is a work in progress. ...Well, all the articles here are, in a way. But this one moreso, and the article may contain incomplete information and editor's notes. |
To do:
|
Contents
Sub-Page
| Prerelease Info |
Unused Music
To our knowledge, there are two tracks that are not used. The first uses the hymn tune "Kingsfold".
The other appears to be an alternate version of the first part of the sinking suite.
Unused Dialogue
Any spelling errors in the subtitles are left as-is. These lines are present in the .pup character files on both discs.
| Dialogue ID | Dialogue | Character | Subtitles |
|---|---|---|---|
| asea01.01 | Seaman A | No thank you! | |
| asea01.02 | Seaman A | No thank you. | |
| asea01.03 | Seaman A | I really can't be talking to you. | |
| asea01.04 | Seaman A | The company. They don't like for us to talk to the payin' passengers! | |
| asea01.05 | Seaman A | I can't talk anymore. | |
| asea01.06 | Seaman A | G'night. | |
| asea01.07 | Seaman A | I can't talk right now. Right-ee o... | |
| asea01.20 | Seaman A | Excuse me, Sir. This deck is closed. | |
| asea01.21 | Seaman A | Stay out! There is an electrical fire in there. | |
| asea01.22 | Seaman A | Sir, I would head for the boat deck. It's too dangerous down here. | |
| asea01.23 | Seaman A | No entry to this deck. The water level is rising quickly. Head up top. | |
| asea01.24 | Seaman A | Sorry sir. Women and children first. | |
| asea01.25 | Seaman A | We are only allowing men to board if there is extra room. | |
| asea01.26 | Seaman A | On this side of the boat we allow only women and children to board the lifeboats. | |
| asea01.27 | Seaman A | No pushing. Allow clear boarding to the lifeboats! | |
| asea02.08 | Seaman A | See 'ere... | |
| asea02.09 | Seaman A | I'm not to be talkin' to a passenger. | |
| asea02.10 | Seaman A | Cheerio... | |
| asea02.11 | Seaman A | If you're needing anything else ask your steward. | |
| asea02.12 | Seaman A | ...I got me orders. | |
| asea02.13 | Seaman A | No time for talking now! | |
| asea02.14 | Seaman A | 'Ello pretty miss! Step right into boat fifteen! | |
| asea02.18 | Seaman A | The lower decks are almost gone! | |
| asea02.19 | Seaman A | Time to get up top. | |
| asea02.56 | Seaman A | Don't go! Not down there! It's steerage! You're goin' the wrong way! | |
| asea02.57 | Seaman A | The bulkhead doors is locked! | |
| asea02.58 | Seaman A | No! First-class passengers should head for the boat deck! | |
| asea02.59 | Seaman A | I'm not to allow anyone on or off of this deck! Move on. | |
| asea02.60 | Seaman A | Where did you get that? | |
| asea02.61 | Seaman A | It's the card. | |
| asea02.62 | Seaman A | We was told about the boat pass. Board this next lifeboat. | |
| asea02.63 | Seaman A | You're next! Get in! | |
| asea02.64 | Seaman A | Get back! These boats are for women and children. | |
| asea02.65 | Seaman A | Quit yer shovin'! Stop! Else the officer'll shoot! | |
| asea02.66 | Seaman A | Women and children only! No men! Ladies only here! | |
| asea02.67 | Seaman A | We're chucking in the ladies 'n' kids! You'll get on if there's room! | |
| asea02.68 | Seaman A | Speak up! There's no time! | |
| asea02.69 | Seaman A | What is it! Yer wastin' my time! | |
| asea02.70 | Seaman A | What?! Tell me! | |
| asea02.71 | Seaman A | I got to get back to lowerin' the boats! | |
| bsea1.01 | Seaman B | No thanks! | |
| bsea1.02 | Seaman B | Not while I'm on duty. | |
| bsea1.03 | Seaman B | I really can't be talking to you. | |
| bsea1.04 | Seaman B | The company don't like us talking to you paying passengers! | |
| bsea1.05 | Seaman B | I can't talk anymore. | |
| bsea1.06 | Seaman B | G'night. | |
| bsea1.07 | Seaman B | Can't talk now. Right, then... | |
| bsea1.08 | Seaman B | Crikey! 'Ow'd you get 'ere? | |
| bsea1.29 | Seaman B | What's this!? No passengers in the boiler or engine rooms! | |
| bsea1.30 | Seaman B | Keep out! | |
| bsea1.31 | Seaman B | Haven't I seen you somewhere's? | |
| bsea1.32 | Seaman B | You again! Now what are you doing? | |
| bsea1.33 | Seaman B | Oh, it's one of the Carters. Evenin'. | |
| bsea1.34 | Seaman B | I'd head for your cabin. It's late. | |
| bsea1.53 | Seaman B | Evening. Are you needing some help? | |
| bsea1.54 | Seaman B | Everything all right, then, is it? | |
| bsea1.55 | Seaman B | Well, it is late. I've got to return to my post. | |
| bsea1.56 | Seaman B | You 'aven't said a word. Feelin' right? | |
| bsea1.58 | Seaman B | Yes, no, right, wrong, Excuse me, Carlson, Good night, Goodbye, Evenin', Thank you. | |
| bsea2.09 | Seaman B | No! | |
| bsea2.10 | Seaman B | Not now. | |
| bsea2.11 | Seaman B | Can't you see I'm busy?! | |
| bsea2.12 | Seaman B | There's not time for talk. | |
| bsea2.13 | Seaman B | G'night. | |
| bsea2.13a | Seaman B | Right, pretty miss. Fifteen's your lucky number! | |
| bsea2.14 | Seaman B | In you go! | |
| bsea2.28 | Seaman B | Some boats are left. Take your chance with them. | |
| bsea2.53 | Seaman B | Don't go down there! It's suicide! | |
| bsea2.54 | Seaman B | Forward's flooded from here! You'll have to turn back! | |
| bsea2.55 | Seaman B | Head to the boat deck. Hurry! | |
| bsea2.56 | Seaman B | This deck's closed. Keep moving. | |
| bsea2.57 | Seaman B | The boat pass! You'd better get in. | |
| bsea2.58 | Seaman B | The pass? Hop in! | |
| bsea2.59 | Seaman B | It's the pass. Board at the next boat. | |
| bsea2.60 | Seaman B | Bold as brass, you are! Go on. You're next! | |
| bsea2.61 | Seaman B | Stand back! Ladies! Children! Please! Get in! | |
| bsea2.63 | Seaman B | Women and children only! One more! One more for this boat! | |
| bsea2.64b | Seaman B | Women and children first. Others follow! | |
| bsea2.65 | Seaman B | Hurry! The officer wants me to get back. | |
| bsea2.66 | Seaman B | There's no time-she's going faster now-speak! | |
| bsea2.67 | Seaman B | What! There's work to be done! | |
| bsea2.68 | Seaman B | Well, what? I've got to get back to me loadin'! | |
| burns_t.10 | Eric Burns | Like music? In the Parisian Cafe, on B Deck, the band should be tuning up just about now. | |
| Burns Correction.SE | Eric Burns | *GALPAL.MOV: (VO) There they are, the steel tycoon Conklin with Lord Lambeth, discussing business. | |
| burns1.53 | Eric Burns | Do you want to see my photos. | |
| burns1.54 | Eric Burns | Excuse me, what were we talking about? | |
| burns1.55 | Eric Burns | It's late, perhaps we should say goodbye. | |
| burns1.56 | Eric Burns | You haven't said a thing. Are you feeling seasick? | |
| burns1.58 | Eric Burns | Yes | |
| burns1.59 | Eric Burns | No | |
| burns1.60 | Eric Burns | Right | |
| burns1.61 | Eric Burns | Wrong | |
| burns1.32 | Eric Burns | Excuse me. | |
| burns1.63 | Eric Burns | Carlson | |
| burns1.33 | Eric Burns | Good night. | |
| burns1.66 | Eric Burns | Hello. | |
| burns1.67 | Eric Burns | Thank you. | |
| bx1.01 | Beatrix Conkling | No thank you. | |
| bx1.02 | Beatrix Conkling | Not now. | |
| bx1.03 | Beatrix Conkling | Good night. | |
| bx1.04 | Beatrix Conkling | I really can't speak now. | |
| bx1.30 | Beatrix Conkling | Yes? You wanted to say something? | |
| bx1.31 | Beatrix Conkling | Speak up! | |
| bx1.21 | Beatrix Conkling | Yes. | |
| bx1.32a | Beatrix Conkling | No. | |
| bx1.32b | Beatrix Conkling | Of course. | |
| bx1.32c | Beatrix Conkling | Incorrect. | |
| bx1.32e | Beatrix Conkling | Carlson. | |
| bx1.03 | Beatrix Conkling | Good night. | |
| bx1.32g | Beatrix Conkling | Goodbye. | |
| bx1.32h | Beatrix Conkling | Hello. | |
| bx1.32i | Beatrix Conkling | Thank you. | |
| bx2.01 | Beatrix Conkling | Keep it... | |
| bx2.02 | Beatrix Conkling | I don't need it. | |
| bx2.03 | Beatrix Conkling | ...and certainly not now! | |
| bx2.04 | Beatrix Conkling | ...this is no time to offer gifts. | |
| bx2.31 | Beatrix Conkling | Don't you understand!? | |
| bx2.32 | Beatrix Conkling | Haven't you done enough? Go away, leave me! | |
| bx2.33 | Beatrix Conkling | Don't stand there, for God's sake! I've got to get this child on that boat! | |
| cash01.01 | Daisy Cashmore | No, thank you! | |
| cash01.02 | Daisy Cashmore | I really shouldn't!" | |
| cash01.03 | Daisy Cashmore | ...Ta-ta!" | |
| cash01.04 | Daisy Cashmore | Give it to the steward, darling. He'll take care of it." | |
| cash01.05 | Daisy Cashmore | I can't talk with you at the moment!" | |
| cash01.06 | Daisy Cashmore | I can't talk with you at the moment! So..." | |
| cash01.07 | Daisy Cashmore | Run along, now. Back to your little cabin!" | |
| cash01.66 | Daisy Cashmore | My dear! What is it!? Something horrendous!? Spill it!" | |
| cash01.67 | Daisy Cashmore | Heavens! My mind's going! Just going! What was I saying?" | |
| cash01.68 | Daisy Cashmore | My dear, I simply must run. Lovely chatting with you! Goodbye." | |
| cash01.69 | Daisy Cashmore | But my dear, what is it?! You know I'll ferret out any secret you have!" | |
| cash01.70 | Daisy Cashmore | Excuse me, we're in the middle of the most delicious conversation." | |
| cash01.71 | Daisy Cashmore | Yes! No. Correct! You're wrong. Pardon me. Carlson. Good night! Yoo-hoo! Thank you!" | |
| charl1.01 | Charles Lambeth | I'm sorry, but I can't use that." | |
| charl1.02 | Charles Lambeth | You should keep it." | |
| charl1.03 | Charles Lambeth | No thanks." | |
| charl1.04 | Charles Lambeth | I'm sorry. I can't talk." | |
| charl1.05 | Charles Lambeth | Good night...for now." | |
| charl1.06 | Charles Lambeth | I've nothing more to say." | |
| charl1.07 | Charles Lambeth | Good night." | |
| charl1.65 | Charles Lambeth | Is that all? | |
| charl1.66 | Charles Lambeth | I say, speak up! What's on your mind? | |
| charl1.67 | Charles Lambeth | Ahem. | |
| charl1.68 | Charles Lambeth | Yes. | |
| charl1.68a | Charles Lambeth | No. | |
| charl1.68b | Charles Lambeth | Right." ) | |
| charl1.68c | Charles Lambeth | Wrong. | |
| charl1.68d | Charles Lambeth | Pardon me. | |
| charl1.68e | Charles Lambeth | Carlson." ) | |
| charl1.07 | Charles Lambeth | Good night. | |
| charl1.68f | Charles Lambeth | Good night | |
| charl1.68h | Charles Lambeth | Hello. | |
| charl1.68i | Charles Lambeth | Thank you. | |
| charl2.01 | Charles Lambeth | Sorry, can't use that. | |
| charl2.02 | Charles Lambeth | ...not now anyway. | |
| charl2.03 | Charles Lambeth | *HE DRINKS. | |
| charl2.04 | Charles Lambeth | No thanks. | |
| charl2.11 | Charles Lambeth | There's no time to talk. | |
| charl2.12 | Charles Lambeth | I need to discover what's happened!" ) | |
| charl2.13 | Charles Lambeth | The ship's in a very bad way." | |
| charl2.14 | Charles Lambeth | I need to find Georgia. | |
| charl2.15 | Charles Lambeth | You understand. | |
| claris01.01 | Claris Limehouse | Thank you. | |
| claris01.02 | Claris Limehouse | But I don't need this. | |
| claris01.03 | Claris Limehouse | Good evening. | |
| claris01.04 | Claris Limehouse | No...I'll never use it! | |
| claris01.06 | Claris Limehouse | I've got to go! | |
| claris01.07 | Claris Limehouse | I can't stay, really I can't! | |
| claris01.09 | Claris Limehouse | Please! You're so insistent... | |
| claris01.10 | Claris Limehouse | But I musn't stay. It's late! | |
| claris01.31 | Claris Limehouse | Well, it was nice meeting you... | |
| claris01.32 | Claris Limehouse | What were you saying? | |
| claris01.33 | Claris Limehouse | It's late. We should part. | |
| claris01.35 | Claris Limehouse | Where are your manners? It's rude to interrupt someone! | |
| claris01.36 | Claris Limehouse | Yes. | |
| claris01.37 | Claris Limehouse | No. | |
| claris01.38 | Claris Limehouse | Correct. | |
| claris01.39 | Claris Limehouse | That's wrong. | |
| claris01.40 | Claris Limehouse | Pardon me." ) | |
| claris01.41 | Claris Limehouse | Carlson. | |
| claris01.42 | Claris Limehouse | Hello. | |
| claris02.01 | Claris Limehouse | No thank you. | |
| claris02.02 | Claris Limehouse | I'll never need this. | |
| claris02.03 | Claris Limehouse | No. I won't need it. Not now. | |
| claris02.17 | Claris Limehouse | The boats? They're all gone! | |
| claris02.18 | Claris Limehouse | Help me. I beg you, save me! | |
| claris02.19 | Claris Limehouse | I realized it too late! Willie wouldn't want me to die! | |
| claris02.21 | Claris Limehouse | What? A baby? | |
| claris02.22 | Claris Limehouse | A baby! | |
| claris02.23 | Claris Limehouse | Take care of him. | |
| claris02.20 | Claris Limehouse | Help me! I don't want to die! | |
| conk1.01 | Andrew Conkling | I can buy anything... | |
| conk1.02 | Andrew Conkling | I really don't need this! | |
| conk1.03 | Andrew Conkling | No thanks. | |
| conk1.04 | Andrew Conkling | No, no more talk. I'm tired. | |
| conk1.05 | Andrew Conkling | Good night, now. | |
| conk1.06 | Andrew Conkling | I'm through with talking. | |
| conk1.07 | Andrew Conkling | Good evening. | |
| conk1.08 | Andrew Conkling | No, I've nothing else to say! | |
| conk1.43 | Andrew Conkling | Look, you don't know me. But my name is Andrew Conkling. The steel man. | |
| conk1.44 | Andrew Conkling | I need a favor. And I need it to be discreet. | |
| conk1.46 | Andrew Conkling | Perhaps we should talk tomorrow. Good night. | |
| conk1.47 | Andrew Conkling | You! Did you say something?" | |
| conk1.48 | Andrew Conkling | Excuse me, we are having a conversation here. | |
| conk1.49 | Andrew Conkling | Yes. | |
| conk1.50 | Andrew Conkling | No. | |
| conk1.51 | Andrew Conkling | Right. | |
| conk1.52 | Andrew Conkling | Wrong. | |
| conk1.53 | Andrew Conkling | Excuse me. | |
| conk1.54 | Andrew Conkling | Carlson. | |
| conk1.55 | Andrew Conkling | Good night. | |
| conk1.56 | Andrew Conkling | Goodbye. | |
| conk1.57 | Andrew Conkling | Hello. | |
| conk1.58 | Andrew Conkling | Thank you. | |
| conk2.01 | Andrew Conkling | Are you mad?! | |
| conk2.02 | Andrew Conkling | Talk to Andrews! This ship is doomed! | |
| conk2.03 | Andrew Conkling | We're going to die! | |
| conk2.04 | Andrew Conkling | She's sinking faster!" ) | |
| conk2.05 | Andrew Conkling | There's not much time! | |
| conk2.07 | Andrew Conkling | She is? Tell her to forget the girl! Forget the baby! Tell her to get on deck. There's no longer any time! | |
| csea1.01 | Seaman C | No thanks. | |
| csea1.02 | Seaman C | We can't accept anything from fare-paying passengers... | |
| csea1.03 | Seaman C | See here... | |
| csea1.04 | Seaman C | I'm not to be talkin' to a passenger. | |
| csea1.05 | Seaman C | If you're needing something, ask your steward. | |
| csea1.06 | Seaman C | ...I got me orders. | |
| csea1.07 | Seaman C | No time for talking now! | |
| csea1.14 | Seaman C | Sorry. Your time's 'bout run out. Go back up top." | |
| csea1.43 | Seaman C | This deck's off-limits! | |
| csea1.44 | Seaman C | Keep out! | |
| csea1.45 | Seaman C | It's dangerous down here. | |
| csea1.46 | Seaman C | Entry to this deck is not allowed. Head up top! | |
| csea1.47 | Seaman C | Women and children first! | |
| csea1.48 | Seaman C | We'll put men in only if there's room! | |
| csea1.49 | Seaman C | Women and children only on this side of the ship! | |
| csea1.53 | Seaman C | Yeah? | |
| csea1.54 | Seaman C | Talky sort, aren't you? | |
| csea1.55 | Seaman C | What? | |
| csea1.57 | Seaman C | You were saying? | |
| csea1.58 | Seaman C | Yes, yes, no, right, wrong, 'Scuse me, Carlson, 'Night, Cheers!, Hello, Thanks. | |
| csea2.01 | Seaman C | The engine room's about to go! Go! Get up top!" | |
| elev1.01 | Lift Attendant | No thanks. | |
| elev1.02 | Lift Attendant | But I'll take a smoke! For me break!" | |
| elev1.50 | Lift Attendant | What floor? | |
| elev1.52 | Lift Attendant | 'Ere now! You going to tell me where you want to go or not!" ) | |
| elev1.53 | Lift Attendant | Feelin' sickly, are you now? | |
| elev1.54 | Lift Attendant | Speak up, then! I'm not goin' anywhere! | |
| elev1.55 | Lift Attendant | Yes, no, right, wrong, Excuse me, Carlson, Good night, Goodbye, Hello, Thank you. | |
| ga1.03 | Georgia Lambeth | No, thank you. | |
| ga1.04 | Georgia Lambeth | No thank you... | |
| ga1.05 | Georgia Lambeth | ...keep it. | |
| ga1.72 | Georgia Lambeth | What were you saying? | |
| ga1.73 | Georgia Lambeth | Please. Tell me! Tell me what you're thinking. | |
| ga1.75 | Georgia Lambeth | What is it? Tell me! | |
| ga1.76 | Georgia Lambeth | Yes. | |
| ga1.76a | Georgia Lambeth | No. | |
| ga1.76b | Georgia Lambeth | Right. | |
| ga1.76c | Georgia Lambeth | Wrong. | |
| ga1.76d | Georgia Lambeth | Excuse me. | |
| ga1.76e | Georgia Lambeth | Carlson, | |
| ga1.76f | Georgia Lambeth | Good night. | |
| ga1.76g | Georgia Lambeth | Farewell. | |
| ga1.76h | Georgia Lambeth | Hello. | |
| ga1.76i | Georgia Lambeth | Thank you. | |
| ga2.01 | Georgia Lambeth | Help me! Get the antidote! | |
| hack1.01 | Jack Hacker | Rather not. | |
| hack1.02 | Jack Hacker | You understand? | |
| hack1.03 | Jack Hacker | Ta mate. | |
| hack1.21 | Jack Hacker | What were we yapping about? | |
| hack1.22 | Jack Hacker | It's late. I you aren't speaking, I'm shovin' off. | |
| hack1.23 | Jack Hacker | You's a face-ache all right. What do you want? | |
| hack1.24 | Jack Hacker | What?! | |
| hack1.25 | Jack Hacker | Yeah. | |
| hack1.25a | Jack Hacker | No. | |
| hack1.25b | Jack Hacker | Right. | |
| hack1.25c | Jack Hacker | Wrong. | |
| hack1.25d | Jack Hacker | 'Scuse me. | |
| hack1.25e | Jack Hacker | Carlson. | |
| hack1.25f | Jack Hacker | G'night. | |
| hack1.25g | Jack Hacker | Ta. | |
| hack1.25h | Jack Hacker | Hullo. | |
| hack1.25i | Jack Hacker | Thanks. | |
| hack2.01 | Jack Hacker | What's the point? | |
| hack2.02 | Jack Hacker | Cheers! | |
| hack2.03 | Jack Hacker | We're out of time. | |
| jones1.001 | Ribeena Gorse-Jones | Thank you... | |
| jones1.002 | Ribeena Gorse-Jones | However, we must decline, you see. | |
| jones1.003 | Henry Gorse-Jones | What do you mean? It's perfectly useful! | |
| jones1.004 | Ribeena Gorse-Jones | We don't know you at all! It's just not proper...you understand. | |
| jones1.005 | Henry Gorse-Jones | Blast it all, woman! No thanks! | |
| jones1.006 | Henry Gorse-Jones | Couldn't use that if it walked on two legs | |
| jones1.007 | Ribeena Gorse-Jones | Henry means 'No, thank you!' | |
| jones1.008 | Ribeena Gorse-Jones | I'm afraid we just must decline it, you see-- | |
| jones1.009 | Henry Gorse-Jones | Oh shut up...Get it out of our sight! | |
| jones1.010 | The Gorse-Joneses | Please, no more questions. I am frightfully tired... | |
| jones1.011 | The Gorse-Joneses | Good night! | |
| jones1.012 | Ribeena Gorse-Jones | Was there something else? | |
| jones1.013 | Henry Gorse-Jones | Good god, woman! No more of this yapping! | |
| jones1.014 | The Gorse-Joneses | I say, we could all use some kip... | |
| jones1.015 | The Gorse-Joneses | Excuse us...terribly sorry. | |
| jones1.016 | Henry Gorse-Jones | Ribeena, come along! | |
| jones1.017 | Ribeena Gorse-Jones | Terribly sorry. Goodbye." | |
| jones1.049 | Henry Gorse-Jones | I say! Can't talk now. I'm in need of a gin! | |
| jones1.050 | Ribeena Gorse-Jones | Henry! We're navigating society's waters-not its spirits! | |
| jones1.065 | Ribeena Gorse-Jones | Mustn't daddle. Come along Henry. | |
| jones1.066 | Henry Gorse-Jones | Why the rush? There's nowhere to go. We're in the middle of the Atlantic. | |
| jones1.067 | Ribeena Gorse-Jones | Henry! | |
| jones1.068 | The Gorse-Joneses | Can't talk...'night. | |
| jones1.076 | Henry Gorse-Jones | I say!... | |
| jones1.077 | Henry Gorse-Jones | I say, what were we going on about? | |
| jones1.078 | The Gorse-Joneses | Why, Henry! I haven't a clue! Can you remember? | |
| jones1.079 | Henry Gorse-Jones | See here. It's getting late. Speak up! | |
| jones1.080 | The Gorse-Joneses | Well..... | |
| jones1.081 | The Gorse-Joneses | Ahem.... | |
| jones1.082 | The Gorse-Joneses | It is late, isn't it? Perhaps we should say good night. | |
| jones1.084 | Henry Gorse-Jones | Yes. | |
| jones1.085 | Henry Gorse-Jones | No. | |
| jones1.086 | Henry Gorse-Jones | Correct. | |
| jones1.087 | Henry Gorse-Jones | Certainly not! | |
| jones1.088 | Henry Gorse-Jones | Excuse me. | |
| jones1.089 | Henry Gorse-Jones | Carlson. | |
| jones1.090 | Henry Gorse-Jones | Good night | |
| jones1.091 | Henry Gorse-Jones | I say! | |
| jones1.092 | Henry Gorse-Jones | Thank you! | |
| jones1.093 | Ribeena Gorse-Jones | Yes | |
| jones1.094 | Ribeena Gorse-Jones | No | |
| jones1.095 | Ribeena Gorse-Jones | That's right. | |
| jones1.096 | Ribeena Gorse-Jones | Sorry, you're wrong. | |
| jones1.097 | Ribeena Gorse-Jones | Pardon me. | |
| jones1.098 | Ribeena Gorse-Jones | Carlson | |
| jones1.099 | Ribeena Gorse-Jones | Good night... | |
| jones1.100 | Ribeena Gorse-Jones | Hello! | |
| jones1.101 | Ribeena Gorse-Jones | Thank you. | |
| jones2.01 | The Gorse-Joneses | Thank you. | |
| jones2.02 | The Gorse-Joneses | I'm afraid we must decline, you see-- | |
| jones2.03 | The Gorse-Joneses | We're getting into the boats. Couldn't possibly use it. | |
| jones2.04 | The Gorse-Joneses | No thank you. | |
| jones2.05 | The Gorse-Joneses | We must wait for orders! | |
| jones2.06 | The Gorse-Joneses | We really can't talk! | |
| jones2.07 | The Gorse-Joneses | Organization's the key! | |
| jones2.08 | The Gorse-Joneses | Good night! | |
| jones2.09 | Henry Gorse-Jones | We'll save you a space, old boy. | |
| jones2.10 | The Gorse-Joneses | Where are the authorities? | |
| jones2.11 | The Gorse-Joneses | Something must be done! At once! It's total chaos. | |
| jones2.12 | The Gorse-Joneses | Dreadful! | |
| jones2.13 | The Gorse-Joneses | I say, when do we board? This planning's atrocious. | |
| jones2.13a | The Gorse-Joneses | Absolutely awful! | |
| jones2.14 | The Gorse-Joneses | Order! Order will prevail! | |
| max1.92 | Max Siedlemann | Up here!" | |
| max1.94 | Max Siedlemann | You wanna say something? So say it! | |
| max1.95 | Max Siedlemann | I'm all ears, speak up! | |
| max1.96 | Max Siedlemann | You got all quiet. You ain't seasick are you? | |
| max1.97 | Max Siedlemann | What were you sayin'? | |
| max1.98 | Max Siedlemann | Yeah, Nope, You said it, Wrong, 'Scuse Me, Carlson, so long, G'night. | |
| max1.03 | Max Siedlemann | Can't talk now..." ) | |
| max1.04 | Max Siedlemann | Catch ya later. | |
| max1.05 | Max Siedlemann | No more jawing. | |
| max1.06 | Max Siedlemann | G'night. | |
| max2.01 | Max Siedlemann | No thanks..." | |
| max2.03 | Max Siedlemann | Nope. Ain't somethin' I want..." | |
| max2.05 | Max Siedlemann | Can't talk now... | |
| max2.06 | Max Siedlemann | I gotta skiddoo! | |
| max2.34 | Max Siedlemann | Speak up! I gotta skiddo! There's damsels distressing all over this rustbucket! | |
| max2.35 | Max Siedlemann | Come on, pallie, talk t'me. It ain't that bad--not yet. | |
| morrow1.006 | Officer Morrow | I can't talk. | |
| morrow1.007 | Officer Morrow | I'm on duty. | |
| morrow1.007 | Officer Morrow | I'm on duty. | |
| morrow1.008 | Officer Morrow | Good night. | |
| morrow1.006 | Officer Morrow | I can't talk. | |
| morrow1.009 | Officer Morrow | I must return to the watch. | |
| morrow1.008 | Officer Morrow | Good night. | |
| morrow1.107 | Officer Morrow | If that's all...I must return to my duties. | |
| morrow1.108 | Officer Morrow | CLEARS THROAT AND GLARES | |
| morrow1.110 | Officer Morrow | See here! State your business at once! I've got to return to my watch! | |
| morrow1.111 | Officer Morrow | Excuse me, we were in the middle of a conversation, here. | |
| morrow1.112 | Officer Morrow | Yes, no, right, wrong, Excuse me, Carlson, Good night, Goodbye, Hello, Thank you. | |
| morrow2.14 | Officer Morrow | See here, young lady! Get in this boat! And no arguments! | |
| morrow2.15 | Officer Morrow | In you go! " | |
| morrow2.64 | Officer Morrow | Listen. If you go down below, there's no chance you'll get back up! | |
| morrow2.65 | Officer Morrow | The bulkheads are all closed. You'll be trapped! | |
| morrow2.66 | Officer Morrow | First-class passengers to the boat deck! They're Smith's orders. | |
| morrow2.67 | Officer Morrow | I'm not to allow anyone on or off this deck. You best move on. | |
| morrow2.68 | Officer Morrow | What the devil? It's a boat pass. | |
| morrow2.69 | Officer Morrow | You have the boat pass? Get in. | |
| morrow2.70 | Officer Morrow | That's the pass. You're on the next boat. | |
| morrow2.71 | Officer Morrow | Ye gods, the devil might have dared this, but not you! Get in. | |
| morrow2.72 | Officer Morrow | Stay back! we're filling these boats with women and children! | |
| morrow2.73 | Officer Morrow | Don't push! Please! Order! Or I'll use this! | |
| morrow2.74 | Officer Morrow | Women and children only! If there's extra room! No men at all! | |
| morrow2.75 | Officer Morrow | We're loading the women and children first! I'll let others on if there is room! | |
| morrow2.80 | Officer Morrow | It's the Carpathia! She's here! | |
| morrow2.81 | Officer Morrow | Your fast thinking bought us the time we needed. | |
| morrow2.82 | Officer Morrow | You saved her! Saved the Titanic! | |
| morrow2.63 | Officer Morrow | Women and children first! | |
| morrow2.84 | Officer Morrow | There is a boat, ten miles off port bow. | |
| morrow2.85 | Officer Morrow | She's not answering the wireless or responding to the distress rockets. | |
| morrow2.86 | Officer Morrow | The first boats to leave weren't fully loaded. The idiots! | |
| morrow2.87 | Officer Morrow | I've been trying to call them back, to no avail. | |
| 03 | Cmdr. Hipple | BOSS.MOV: VO WITH SOME EMOTION Good Lord! Haven't you read the morning reports?! The Kaiser's mobilizing as we speak! It's war! | |
| 04 e | Cmdr. Hipple | BOSS.MOV: VO The first world war! And it could've been stopped -- had your mission succeeded! | |
| n.05a | Frank Carlson | The necklace Georgia gave me was a fake. | |
| n.06 | Frank Carlson | Charles had switched it without her knowing and had hidden the real diamonds somewhere onboard the ship. | |
| n.08 | Frank Carlson | The necklace he took was the fake! Vlad never knew I had swapped it in Sasha's cabin. | |
| n.09 | Frank Carlson | However I traded the real necklace in order to leave the Titanic. | |
| n.10 | Frank Carlson | I left the ship with the Rubaiyat. | |
| pt.06 | Frank Carlson | NARRATOR VO She's the grandest ship man ever built. | |
| penny1.001 | Penny Pringle | I can't use that! | |
| penny1.002 | Penny Pringle | Now see here... | |
| penny1.003 | Penny Pringle | Put that back in that bag of yours! | |
| penny1.122 | Penny Pringle | Like him. Mister Lenin advocates the Czar's overthrow. | |
| penny1.123 | Penny Pringle | The Germans actively encourage him and the other communist revolutionaries. | |
| penny1.134 | Penny Pringle | Stop daydreaming, Carlson! We've work to do! | |
| penny1.136 | Penny Pringle | Glory be! Quit lollygagging and hurry! | |
| penny1.137 | Penny Pringle | Yes, speak up! Did you want to say something? | |
| penny1.138 | Penny Pringle | Show some backbone, Carlson. Get cracking! | |
| penny1.139 | Penny Pringle | Yes, no, right, wrong, Excuse me, Carlson, Good night, Goodbye, Hello, Thank you. | |
| penny2.01 | Penny Pringle | Are you daft?! | |
| penny2.02 | Penny Pringle | Just find those objects and be quick about it! | |
| penny2.03 | Penny Pringle | See here... | |
| penny2.07 | Penny Pringle | Put that back in that bag of yours! | |
| penny2.08 | Penny Pringle | It's no time to be talking! | |
| purs1.11 | The Purser | I am sorry. | |
| purs1.12 | The Purser | ...I cannot accept that. | |
| purs1.13 | The Purser | No, I can't accept. | |
| purs1.14 | The Purser | No, I am sorry. | |
| purs1.95 | The Purser | Do you require some assistance? | |
| purs1.96 | The Purser | Will you please indicate what you want! I don't have all day! | |
| purs1.97 | The Purser | Do you wish to ask me something? | |
| purs1.98 | The Purser | My, we are a chatter-box, aren't we? | |
| purs1.99 | The Purser | Yes..." ) | |
| purs1.99a | The Purser | Yes, no, right, wrong, Excuse me, Carlson, Good night, Goodbye, Hello, Thank you. | |
| sasha1.01 | Sasha Barbicon | Unfortunately, I can't take it. | |
| sasha1.02 | Sasha Barbicon | No thank you. | |
| sasha1.03 | Sasha Barbicon | Good evening... | |
| sasha1.04 | Sasha Barbicon | You're most considerate. | |
| sasha1.06 | Sasha Barbicon | You wish to talk some more? | |
| sasha1.07 | Sasha Barbicon | I am sorry, but it's late. | |
| sasha1.08 | Sasha Barbicon | I'm passing on your offer. | |
| sasha1.09 | Sasha Barbicon | You're quite persistent... | |
| sasha1.10 | Sasha Barbicon | But it's getting late... | |
| sasha1.42 | Sasha Barbicon | Excuse me. Rather tiring, this waiting. | |
| sasha1.43 | Sasha Barbicon | Excuse me? Did you want something? | |
| sasha1.44 | Sasha Barbicon | If you've nothing more to say, I think we should say good night. | |
| sasha1.45 | Sasha Barbicon | Can I help you with something? | |
| sasha1.46 | Sasha Barbicon | Yes, | |
| sasha1.46a | Sasha Barbicon | no, | |
| sasha1.46b | Sasha Barbicon | right, | |
| sasha1.46c | Sasha Barbicon | wrong, | |
| sasha1.46d | Sasha Barbicon | Excuse me, | |
| sasha1.46e | Sasha Barbicon | Frank Carlson, | |
| sasha1.46f | Sasha Barbicon | Good night, | |
| sasha1.46g | Sasha Barbicon | Good bye, | |
| sasha1.46h | Sasha Barbicon | Hello, | |
| sasha1.46i | Sasha Barbicon | Thank you. | |
| shahack1.01 | The Hackers | I don't want anything from you. | |
| shahack1.01a | The Hackers | We don't have a need for that. | |
| shahack1.01b | The Hackers | Keep it. I don't want a rich person's charity!" ) | |
| shahack1.01c | The Hackers | We're done talking! | |
| shahack1.01d | The Hackers | Leave us. | |
| shahack1.02 | The Hackers | Please, leave us! | |
| shahack1.02a | The Hackers | You heard the lady! Go back to your fancy digs up top! | |
| shahack1.09 | The Hackers | Please, what are you thinking? | |
| shahack1.10a | The Hackers | Speak up. We ain't standing here for our health! | |
| shahack1.10b | The Hackers | What you want, mate? | |
| shahack1.11 | The Hackers | Yes. | |
| shahack1.11a | The Hackers | No. | |
| shahack1.11b | The Hackers | Right. | |
| shahack1.11c | The Hackers | Wrong. | |
| shahack1.11d | The Hackers | Excuse me. | |
| shahack1.11e | The Hackers | Carlson. | |
| shahack1.11f | The Hackers | Night. | |
| shahack1.11g | The Hackers | G'bye. | |
| shahack1.11h | The Hackers | Hello. | |
| shahack1.11i | The Hackers | Thank you. | |
| shahack1.12 | The Hackers | Yeah. | |
| shahack1.12a | The Hackers | No | |
| shahack1.12b | The Hackers | Right, | |
| shahack1.12c | The Hackers | Wrong, | |
| shahack1.12d | The Hackers | Excuse me, | |
| shahack1.12e | The Hackers | Carlson, | |
| shahack1.12f | The Hackers | G'night, | |
| shahack1.12g | The Hackers | Good bye, | |
| shahack1.12h | The Hackers | Hullo, | |
| shahack1.12i | The Hackers | Thanks. | |
| shahack2.00 | The Hackers | There's no time for this! | |
| shahack2.01 | The Hackers | Keep it! | |
| shay1.01 | Shailagh Hacker | I couldn't take it. It's not right. | |
| shay1.02 | Shailagh Hacker | I'm just a steerage passenger... | |
| shay1.03 | Shailagh Hacker | I've no use for something like this. | |
| shay1.04 | Shailagh Hacker | Keep it. | |
| shay1.30 | Shailagh Hacker | What was you sayin'? | |
| shay1.31 | Shailagh Hacker | Cat got your tongue? Speak up! | |
| shay1.33 | Shailagh Hacker | Yes, | |
| shay1.33a | Shailagh Hacker | no, | |
| shay1.33b | Shailagh Hacker | right, | |
| shay1.33c | Shailagh Hacker | wrong, | |
| shay1.33d | Shailagh Hacker | Beggin' your pardon," ) | |
| shay1.33e | Shailagh Hacker | Carlson, | |
| shay1.33f | Shailagh Hacker | Night, | |
| shay1.33g | Shailagh Hacker | Bye, | |
| shay1.33h | Shailagh Hacker | Hello, | |
| shay1.33i | Shailagh Hacker | Thank you. | |
| shay2.01 | Shailagh Hacker | I couldn't accept! | |
| shay2.02 | Shailagh Hacker | Please...keep it. | |
| shay2.03 | Shailagh Hacker | I'm just a steerage passenger... | |
| shay2.04 | Shailagh Hacker | I've no use for something like this... | |
| shay2.05 | Shailagh Hacker | I can't talk-not now! | |
| shay2.06 | Shailagh Hacker | There's something terrible happenin'. | |
| shay2.08 | Shailagh Hacker | May the saints keep you! | |
| smeth1.001 | Smethells | Out of the question. | |
| smeth1.002 | Smethells | Company regulations forbid it. | |
| smeth1.003 | Smethells | I cannot accept gifts. | |
| smeth1.089 | Smethells | Trying to find something?" | |
| smeth1.090 | Smethells | We have high hopes, high hopes for you-eventually. Good night." | |
| smeth1.091 | Smethells | The poop deck, is it? Take the second class stairs to B deck. | |
| smeth1.092 | Smethells | Once there, go outside and head aft, towards the stern. Past the third class promenade. | |
| smeth1.093 | Smethells | The poop deck's at the very end of the ship. | |
| smeth1.094 | Smethells | Such fascination with steerage passengers is most baffling. | |
| smeth1.095 | Smethells | I suspect foul play." | |
| smeth1.129 | Smethells | *TOUR1.MOV VO He is the White Star Line's most trusted officer, and you can be assured of your safety in his hands. | |
| stok1.01 | Stoker | Nah, no use for it. | |
| stok1.02 | Stoker | Keep it. Too fancy for a workin' man. | |
| stok1.03 | Stoker | I can't gab now! I've got to get back to 'elping me mates! | |
| stok1.05 | Stoker | I can't talk! We're shoveling coal like 'ell! Find someone else who wants to gibber-jabber. | |
| stok1.07 | Stoker | I've got to shovel... | |
| stok1.51 | Stoker | Can't talk, mate. | |
| stok1.52 | Stoker | It's back to work for me! | |
| stok1.53 | Stoker | Sorry, mate. | |
| stok1.54 | Stoker | Find someone else t'gibber-jabber. | |
| stok1.55 | Stoker | Cheers! | |
| stok1.56 | Stoker | I'll be! You just going to stand there? | |
| stok1.57 | Stoker | Yer closed up like a clam! Say somthin', mate! | |
| stok1.58 | Stoker | What 'ave we 'ere? The fancy dress ball's upstairs, mate. | |
| stok1.59 | Stoker | Boo! Har! Scared ye! | |
| stok1.60 | Stoker | Yes, no, right, wrong, Excuse me, Carlson, Evenin', Good bye, 'ello, Thank you. | |
| stok1.68 | Stoker | *TOUR7.MOV VO Y'can see, all my labors go up in smoke! Through this! The smokestacks are huge! | |
| trask1.045 | Leyland Trask | No interruptions, please! | |
| trask1.046 | Leyland Trask | Good night. | |
| trask1.047 | Leyland Trask | I most cogitate. | |
| trask1.005 | Leyland Trask | Good luck. | |
| trask1.048 | Leyland Trask | No more questions now! | |
| trask1.085 | Leyland Trask | You there! Do you need a reading? | |
| trask1.087 | Leyland Trask | Pardon me-were you cogitating, or did you have a question? | |
| trask1.088 | Leyland Trask | Yes. | |
| trask1.088a | Leyland Trask | no. | |
| trask1.088b | Leyland Trask | correct. | |
| trask1.088c | Leyland Trask | wrong. | |
| trask1.088d | Leyland Trask | Excuse me. | |
| trask1.088e | Leyland Trask | Carlson. | |
| trask1.088h | Leyland Trask | Hello. | |
| trask1.088i | Leyland Trask | Thank you. | |
| trask1.049 | Leyland Trask | I need to get more cookies... | |
| trask1.060 | Leyland Trask | Cookie...? | |
| trask1.061 | Leyland Trask | New-fangled and delicious. G'bye. | |
| trask1.094 | Leyland Trask | *BATH1.MOV: (VO) Gives me the shivers. | |
| trask1.098 | Leyland Trask | *BATH2.MOV: (VO) I can't figure it out at all. | |
| trask1.100 | Leyland Trask | *BATH3.MOV: (VO) I'm sure the bath's electromagnetic force magnifies the thought waves. | |
| trask1.099a | Leyland Trask | *TOUR3.MOV VO The electric bath should help. I'm sure that the electromagnetic force of the bath magnifies thought waves. | |
| trask1.101a | Leyland Trask | *TOUR3.MOV VO And of course, it balances the body's humors as well. | |
| trask1.102 | Leyland Trask | *BATH3.MOV: (VO) In fact, I'm taking a session right now. | |
| trask1.103 | Leyland Trask | So if you don't mind...I'll just hop in. Good evening. | |
| trask2.16 | Leyland Trask | No questions now! | |
| trask2.17 | Leyland Trask | Don't waste your time talking to me! | |
| trask2.18 | Leyland Trask | You've a chance to change history! | |
| trask2.44 | Leyland Trask | Pay attention! There's no more time for daydreaming! | |
| trask2.45 | Leyland Trask | Are you in a trance? Wake up! | |
| trout1.01 | Rev. Troutt | Thank you. | |
| trout1.02 | Rev. Troutt | But I can't accept. | |
| trout1.03 | Rev. Troutt | No, thank you. | |
| trout1.04 | Rev. Troutt | I must attend to my flock. | |
| trout1.06 | Rev. Troutt | Please, no more questions. I'm tired. | |
| trout1.07 | Rev. Troutt | I need the plenitudes of sleep! | |
| trout1.08 | Rev. Troutt | If you'll excuse me... | |
| trout1.68 | Rev. Troutt | Ah, lost in prayer? Perhaps I will join you. | |
| trout1.69 | Rev. Troutt | Ahem, you were wanting something? | |
| trout1.70 | Rev. Troutt | It is late. Goodbye. | |
| trout1.72 | Rev. Troutt | Excuse me, I am occupied. | |
| trout1.73 | Rev. Troutt | Yes! | |
| trout1.74 | Rev. Troutt | No. | |
| trout1.75 | Rev. Troutt | Exactly! | |
| trout1.76 | Rev. Troutt | That is wrong. | |
| trout1.77 | Rev. Troutt | Pardon me. | |
| trout1.78 | Rev. Troutt | Carlson. | |
| trout1.79 | Rev. Troutt | Hello. | |
| trout2.01 | Rev. Troutt | No time for anything but prayer now! | |
| trout2.03 | Rev. Troutt | I must assist with the boats... | |
| vlad1.01 | Vlad Demonic | No, Vlad cannot take this from you. | |
| vlad1.02 | Vlad Demonic | Keep it. | |
| vlad1.03 | Vlad Demonic | No, thank you... | |
| vlad1.05: | Vlad Demonic | I can speak no more. | |
| vlad1.07 | Vlad Demonic | Not now! | |
| vlad1.48 | Vlad Demonic | What? What do you want? | |
| vlad1.49 | Vlad Demonic | You were speaking? | |
| vlad1.50 | Vlad Demonic | It is late... | |
| vlad1.52 | Vlad Demonic | Yes, | |
| vlad1.52a | Vlad Demonic | no, | |
| vlad1.52b | Vlad Demonic | right, | |
| vlad1.52c | Vlad Demonic | wrong, | |
| vlad1.52d | Vlad Demonic | Excuse me, | |
| vlad1.52e | Vlad Demonic | Carlson, | |
| vlad1.52f | Vlad Demonic | Good night, | |
| vlad1.52g | Vlad Demonic | Goodbye, | |
| vlad1.52h | Vlad Demonic | Hello, | |
| vlad1.52i | Vlad Demonic | Thank you. | |
| vlad1.53 | Vlad Demonic | There you are! Ha! I'll take you this time! Your meddling is finished! | |
| vlad2.01 | Vlad Demonic | A women's shawl? Ha! They will never suspect. | |
| vlad2.02 | Vlad Demonic | Take it away! I will not touch it. | |
| vlad2.03 | Vlad Demonic | No, I need a way off the ship. | |
| vlad2.04 | Vlad Demonic | The necklace! Yes, I can sell it in Europe! Victory is within our grasp! | |
| vlad2.05 | Vlad Demonic | Sasha's painting is worthless to me. The plans are for Germany. | |
| vlad2.06 | Vlad Demonic | Serbia does not need this notebook. It is worthless to me. | |
| vlad2.07 | Vlad Demonic | The book! Yes, I can sell it for millions! Victory is within our grasp! | |
| vlad2.08 | Vlad Demonic | The book! Yes, worth more than gold! The Black Hand will spread across Europe! | |
| vlad2.09 | Vlad Demonic | No, I need something to help me get away. | |
| vlad2.10 | Vlad Demonic | This will not help me get off the ship! | |
| vlad2.11 | Vlad Demonic | I can speak no more... | |
| vlad2.12 | Vlad Demonic | There is no more time! | |
| vlad2.13 | Vlad Demonic | Not now! | |
| vlad2.14 | Vlad Demonic | The ship is in great danger! | |
| vlad2.15 | Vlad Demonic | I will die down here, but Serbia must be avenged!" ) | |
| wilfenc1.01 | Willi von Haderlitz | No, thank you. | |
| wilfenc1.02 | Willi von Haderlitz | I have no time for such things. | |
| wilfenc1.46 | Willi von Haderlitz | Perhaps another match? | |
| wilfenc1.47 | Willi von Haderlitz | You are tired from the play? | |
| wilfenc1.49 | Willi von Haderlitz | Shall we play again? We can talk some more. | |
| wilfenc1.50 | Willi von Haderlitz | Yes, | |
| wilfenc1.51 | Willi von Haderlitz | no, | |
| wilfenc1.52 | Willi von Haderlitz | right, | |
| wilfenc1.53 | Willi von Haderlitz | wrong, | |
| wilfenc1.54 | Willi von Haderlitz | Excuse me, | |
| wilfenc1.55 | Willi von Haderlitz | Carlson, | |
| wilfenc1.56 | Willi von Haderlitz | Good night, | |
| wilfenc1.57 | Willi von Haderlitz | Goodbye, | |
| wilfenc1.58 | Willi von Haderlitz | Hello, | |
| wilfenc1.59 | Willi von Haderlitz | Thank you. | |
| wilfenc1.60 | Willi von Haderlitz | Auf Wiedersehen. | |
| wilfenc1.61 | Willi von Haderlitz | Bis Morgen. | |
| wilzeit1.00 | Zeitel and Haderlitz | I've no use for that. | |
| wilzeit1.00a | Zeitel and Haderlitz | No. You keep it! | |
| wilzeit1.00b | Zeitel and Haderlitz | Good night. | |
| wilzeit1.00c | Zeitel and Haderlitz | That is all." ) | |
| wilzeit1.01 | Zeitel and Haderlitz | G-good night. | |
| wilzeit1.10a | Zeitel and Haderlitz | You were saying? | |
| wilzeit1.11 | Zeitel and Haderlitz | Wh-what were you saying? | |
| wilzeit1.12a | Zeitel and Haderlitz | I hope we do not bore you! | |
| zeit1.06 | Col. Zeitel | Keep it with you! | |
| zeit1.07 | Col. Zeitel | I am indebted. | |
| zeit1.08 | Col. Zeitel | I cannot take this! | |
| zeit1.09 | Col. Zeitel | Oh no! But I cannot accept your offer. | |
| zeit1.10 | Col. Zeitel | I am sorry! There is nothing more to say... | |
| zeit1.11 | Col. Zeitel | Good night! | |
| zeit1.12 | Col. Zeitel | The hour is getting late... | |
| zeit1.13 | Col. Zeitel | Shall we meet again? Tomorrow perhaps? | |
| zeit1.58 | Col. Zeitel | You were saying? | |
| zeit1.60 | Col. Zeitel | I always thought the English talkative. How interesting that I was mistaken. | |
| zeit1.61 | Col. Zeitel | Yes, no, right, wrong, Excuse me, Carlson, Good night, Goodbye, Hello, Thank you. Auf Wiedersehen | |
| zeit2.01 | Col. Zeitel | Keep it! | |
| zeit2.02 | Col. Zeitel | Quite useless, I'm afraid. | |
| zeit2.03 | Col. Zeitel | Did you see the rockets? The ship's badly damaged! | |
| zeit2.04 | Col. Zeitel | Did you hear the rockets? The ship is badly damaged! | |
| zeit2.05 | Col. Zeitel | The Titanic is sinking! | |
| zeit2.06 | Col. Zeitel | I am sorry... | |
| zeit2.07 | Col. Zeitel | But there is nothing more to say... | |
| zeit2.08 | Col. Zeitel | Goodbye! |
Unused Scripts
Intros
The script files show slightly expanded dialogue for the intro sequence. There are two versions here.
NARRATE_bl5
code newflyover ( ) message ( SFX -- the explosion dies away and we are moving across the water. Credits begin appearing. ) message ( AN ALMOST WHISPER The past. A frozen landscape. Forever locked in regret. DARING TO HOPE: But what if the past could be changed? ) message ( Logo appears ) message ( Thirty years have come and gone since the night that saw the end of a world. My world. A world I could have saved. ) message ( It was nineteen-twelve. War was coming. The Service needed someone on the Titanic. They chose me. ) message ( Beginners luck? It seemed so, at the time. ) message ( Fly & fly ) message ( I was to wait for a signal from my contact. So I remained in my cabin. I left only once. EXPLAINS Georgia was onboard. ) message ( And that's when it came. There'd be no second chance. It was Sunday. April fourteenth. Too late, you see. For the Titanic. For me. ) message ( FEVERISH A BIT , QUICKENING Could it have gone differently? What if I'd met with my contact? Got what I needed? Prevented disaster? ) message ( What if the past could be changed? SLIGHT PAUSE What then? ) message ( Ship appears ) endcode code oldflyover ( ) message ( SFX -- the explosion dies away and we are moving across the water. Credits begin appearing. ) message ( CREDITS.MOV: VO The past. A frozen landscape forever locked in regret. ) message ( CREDITS.MOV: VO GRASPING A HOPE But what if the past could be changed? ) message ( Logo appears ) message ( CREDITS.MOV: VO Thirty years have come and gone since the night that saw the end of a world Ñ my world. ) message ( CREDITS.MOV: VO A world I could have saved. REMEMBERS It was nineteen-twelve. War was coming. ) message ( CREDITS.MOV: VO The Service needed someone on the Titanic. They chose me. Beginners luck? It seemed so, at the time. ) message ( CREDITS.MOV: VO I was to wait for a sign from my contact, ) message ( CREDITS.MOV: VO A message to meet onboard a ship so huge, so magnificent, ) message ( CREDITS.MOV: VO That its arrogance flew in the very face of God.... ) message ( CREDITS.MOV: VO Unsinkable, they called it. WHISPERING Oh, yes! Unsinkable! ) message ( Title Credit:'Titanic: Adventure out of Time' ) message ( FLYOVER.MOV: VO I left my cabin only once. Georgia was onboard. ) message ( FLYOVER.MOV: VO The message came then. There was to be no second chance. ) message ( FLYOVER.MOV: VO REGRETFULLY It was too late, you see. For the Titanic..For me... ) message ( FLYOVER.MOV: VO AGONIZED WONDERING Could that night have gone differently? ) message ( FLYOVER.MOV: VO RECOUNTING What if I had met with my contact? ) message ( FLYOVER.MOV: VO Found what I needed? Prevented disaster? ) message ( FLYOVER.MOV: VO What if the past could be changed? ) message ( FLYOVER.MOV: VO PROVACATIVELY What then...? ) endcode
Vlad by the Turkish Baths
A deleted scene sees Vlad brooding around the Turkish Baths. (Being a stowaway, it's difficult to imagine how he'd get there without being noticed.)
VLAD1_bl6
message ( PLOT II, PHASE 4-NC, SCENE 1; VLAD BY TURKISH BATHS. ) code serbtalk ( ) local arg puppetclear ( ) message ( ACT -- close up. ) puppetspeak ( vlad1.39: "You again! Rich man, why do you wander the ship at night? You would be safer back in your cabin." ) puppetbevel ( Why are you out so late? , 101) puppetbevel ( Good idea. , 102) arg = puppetevent ( - 1) switch arg case - 1 exitcode case 101 message ( ACT -- he talks like a zealot. ) puppetspeak ( vlad1.40: "Time is nothing to me. My people have always waited for the right time." ) puppetspeak ( vlad1.41: "Freedom! For centuries we were slaves to the Turks! To the Austrians! Now, we have a country." ) puppetspeak ( vlad1.42: "Yet there are still Serbians-in Austrian lands, in Bosnia-who are killed. Like my family!" ) puppetspeak ( vlad1.43: "The Black Hand will avenge them!" ) case 102 puppetspeak ( vlad1.44: "Good night." ) exitcode endswitch puppetclear ( ) puppetbevel ( The Black Hand? , 102) arg = puppetevent ( - 1) switch arg case - 1 exitcode case 102 puppetspeak ( vlad1.45: "A group of Serbian patriots. We shall free our brothers from Austrian chains and create a Greater Serbia!" ) puppetspeak ( vlad1.46: "We need guns. Supplies! And the money to buy them with!" ) puppetspeak ( vlad1.47: "Those who oppose us face death." ) exitcode endswitch endcode
| Dialogue ID | Dialogue | Subtitles |
|---|---|---|
| vlad1.39 | You again! Rich man, why do you wander the ship at night? You would be safer back in your cabin. | |
| vlad1.40 | Time is nothing to me. My people have always waited for the right time. | |
| vlad1.41 | Freedom! For centuries we were slaves to the Turks! To the Austrians! Now, we have a country. | |
| vlad1.42 | Yet there are still Serbians-in Austrian lands, in Bosnia-who are killed. Like my family! | |
| vlad1.43 | The Black Hand will avenge them! | |
| vlad1.44 | Good night. | |
| vlad1.45 | A group of Serbian patriots. We shall free our brothers from Austrian chains and create a Greater Serbia! | |
| vlad1.46 | We need guns. Supplies! And the money to buy them with! | |
| vlad1.47 | Those who oppose us face death. |
Smethells
Smethells is not seen again after the ship starts sinking, but the dialogue for your last conversation with him was written anyway.
SMETH1_bl6
code byesmeth ( ) local arg puppetclear ( ) puppetspeak ( smeth1.106: "Have you made preparations? I fear this incline is only growing more precipitous." ) puppetbevel ( I have. , 101) arg = puppetevent ( - 1) switch arg case - 1 exitcode case 101 endswitch puppetspeak ( smeth1.107: "Very good. If you won't be needing any further assistance...I believe the expression is 'every man for himself.'" ) puppetbevel ( Goodbye. , 101) puppetbevel ( Best of luck, Smethells. , 101) arg = puppetevent ( - 1) switch arg case - 1 exitcode case 101 puppetspeak ( smeth1.108: "And you. May I say, I have never served a more challenging passenger. Goodbye." ) endswitch endcode
| Dialogue ID | Dialogue | Subtitles |
|---|---|---|
| smeth1.106 | Have you made preparations? I fear this incline is only growing more precipitous. | |
| smeth1.107 | Very good. If you won't be needing any further assistance...I believe the expression is 'every man for himself.' | |
| smeth1.108 | And you. May I say, I have never served a more challenging passenger. Goodbye. |
Eric and Stephanie
Eric Burns is not seen after the ship hits the iceberg, but a quest was written for the Burns' during the sinking, in which Eric begs the player to give him the boat pass so that his wife can escape the ship.
BURNS2_bl5
BURNSPUP BOOT2 code runyoself ( pupmessage ) global mission if mission = 4 sendtopuppet ( after , runyoself ( pupmessage ) ) exitcode endif error ( ) endcode code gift ( what ) nogift ( ) endcode code nogift ( ) switch twocount case 1 message ( ACT -- he holds up hand. ) puppetspeak ( burns2.01: "No! There's no time." ) case 2 puppetspeak ( burns2.02: "No time for that now!" ) puppetspeak ( burns2.03: "I've got to find Stephanie! Get her into a boat!" ) endswitch dotwocount ( ) endcode code brushoff ( ) global phase if phase < 2 message ( ACT -- anxiety... ) puppetspeak ( burns2.04: "She's not here!" ) puppetspeak ( burns2.03: "I've got to find Stephanie! Get her into a boat!" ) puppetspeak ( burns2.05: "Bye!" ) exitcode endif if phase < 4 message ( ACT -- he holds up hand. ) puppetspeak ( burns2.02: "No time for that now!" ) puppetspeak ( burns2.03: "I've got to find Stephanie! Get her into a boat!" ) exitcode endif endcode
BURNS2_bl6
BURNS2PUP code runyoself ( msg ) if actorowner ( boatpass ) = frank savesteff ( ) exitcode else meetburns ( ) exitcode endif endcode code meetburns ( ) local arg message ( ACT -- He is distraught, desperate. ) puppetspeak ( burns2.06: "I'm trying to get Stephanie on a lifeboat. She wouldn't go at first. She wanted to stay. With me." ) puppetspeak ( burns2.07: "Now there's no more room! Nothing! I must find her a boat!" ) endcode code savesteff ( ) local arg puppetspeak ( burns2.08: "Stephanie's still on the ship!" ) puppetspeak ( burns2.09: "Please! Help me get her off into a boat! Please, they say you have influence. " ) message ( ACT - - A thought crosses his mind. ) puppetspeak ( burns2.10: "A pass! Something! You must have something! Please, give it to my wife! Please!" ) puppetclear ( ) puppetbevel ( Yes, I'll help her. , 101) puppetbevel ( No, I'm sorry. , 102) arg = puppetevent ( - 1) switch arg case - 1 exitcode case 101 message ( ACT -- Burns holds the boatpass. Relieved. ) puppetspeak ( burns2.11: "This? This will get Stephanie a seat in the boats?! Thank you! I must get her away right now!" ) puppetspeak ( burns2.12: "Thank you. And-good luck!" ) sendtoshop ( inven , givinven ( boatpass , burns ) ) case 102 puppetspeak ( burns2.13: "No? Oh God, please, she's only twenty-one! God, no!" ) endswitch endcode
| Dialogue ID | Dialogue | Subtitles |
|---|---|---|
| burns2.01 | No! There's no time. | |
| burns2.02 | No time for that now! | |
| burns2.03 | I've got to find Stephanie! Get her into a boat! | |
| burns2.04 | She's not here! | |
| burns2.05 | Bye! | |
| burns2.06 | I'm trying to get Stephanie on a lifeboat. She wouldn't go at first. She wanted to stay. With me. | |
| burns2.07 | Now there's no more room! Nothing! I must find her a boat! | |
| burns2.08 | Stephanie's still on the ship! | |
| burns2.09 | Please! Help me get her off into a boat! Please, they say you have influence. | |
| burns2.10 | A pass! Something! You must have something! Please, give it to my wife! Please! | |
| burns2.11 | This? This will get Stephanie a seat in the boats?! Thank you! I must get her away right now! | |
| burns2.12 | Thank you. And-good luck! | |
| burns2.13 | No? Oh God, please, she's only twenty-one! God, no! | |
| burns2.14 | No, no, no! |
Zeitel and the Lifeboats
This scene would've given you the choice of using the pass to enter the boat, or pass it to Zeitel in return for the painting.
ZEIT2_bl6
code decide ( ) local arg message ( cut to Morrow's face. ) message ( MORROW: I need someone to man this boat. CROWD SURGE FORWARD ) message ( MORROW: Stand back! Just one!--no pushing! Back! All of you. ) message ( Cut to Zeitel. He has his painting, too. ) puppetspeak ( zeit2.63: "Thank you, officer. I shall be delighted to assist the ladies..." ) message ( Cut back to Morrow. ) message ( MORROW: Wait, I was looking at you POINTING TO ME. You're the one. ) if decide ( ) = 1 reutrn 1 endif puppetclear ( ) message ( Cut to Zeitel who is a little too eager. ) puppetspeak ( zeit2.64: "Officer, I am an excellent sailor. In Trieste. I am-" ) message ( Cut to Morrow. ) message ( MORROW Not you, Colonel. Your friend, here. Are you getting in the boat? ) puppetclear ( ) puppetbevel ( Yes, I'll get in the lifeboat. , 101) puppetbevel ( No, I have business to attend to. , 102) arg = puppetevent ( - 1) switch arg case - 1 return 1 case 101 message ( Morrow is in a hurry. ) message ( MORROW Get in, get in... ) message ( Cut to Zeitel. ) puppetspeak ( zeit2.65: "He is strangely unmoved." ) puppetspeak ( zeit2.66: "Then I say my adieus. You clearly value living over this painting. Goodbye." ) case 102 message ( ACT -- Morrow accepts your refusal. ) message ( MORROW: Alright. Suit yourself.... TO CROWD: 'THE BOAT IS FULL. MOVE ON!' ) message ( Cut to Zeitel. ) message ( SFX -- the sound of the crowd surging up deck. Zeitel is grinning. ) puppetspeak ( zeit2.67: "Such an honor you have! I repeat my offer. The painting for the boat pass." ) puppetclear ( ) message ( ACT -- Zeitel holds up the painting. ) puppetspeak ( zeit2.68: "What do you say?" ) puppetbevel ( Yes. , 101) puppetbevel ( No. , 102) arg = puppetevent ( - 1) switch arg case - 1 return 1 case 101 puppetspeak ( zeit2.69: "Very good. But first, the pass..." ) message ( ACT -- Zeitel has the pass in his hand. ) sendtoshop ( inven.shp , giveinven ( boatpass , zeitel ) ) puppetspeak ( zeit2.70: "Here. Take the painting." ) puppetspeak ( zeit2.71: "I leave you now. Try not to...get your feet wet! " ) message ( PLAY MOVIE: Boat nine loweriing. I hear Zeitel's giggle. Much destruction. ) sendtoshop ( inven.shp , addinven ( painting ) ) case 102 message ( ACT -- He lowers the painting. ) puppetspeak ( zeit2.72: "So it is 'No'..." ) puppetspeak ( zeit2.73: "I must try my luck at some other place. Good luck to you." ) endswitch endswitch actorowner ( zeit , gone ) sendtoactor ( zeit , putdownactor ( ) ) return 0 endcode
| Dialogue ID | Dialogue | Subtitles |
|---|---|---|
| zeit2.63 | Thank you, officer. I shall be delighted to assist the ladies... | |
| zeit2.64 | Officer, I am an excellent sailor. In Trieste. I am- | |
| zeit2.65 | He is strangely unmoved. | |
| zeit2.66 | Then I say my adieus. You clearly value living over this painting. Goodbye. | |
| zeit2.67 | Such an honor you have! I repeat my offer. The painting for the boat pass. | |
| zeit2.68 | What do you say? | |
| zeit2.69 | Very good. But first, the pass... | |
| zeit2.70 | Here. Take the painting. | |
| zeit2.71 | I leave you now. Try not to...get your feet wet! | |
| zeit2.72 | So it is 'No'... | |
| zeit2.73 | I must try my luck at some other place. Good luck to you. |
- Games developed by Cyberflix
- Games published by GTE Entertainment
- Windows games
- Mac OS Classic games
- Games released in 1996
- Games with unused code
- Games with hidden development-related text
- Games with unused music
- Games with unused sounds
- Games with unused text
- Games with debugging functions
- Games with regional differences
- Games with hidden bonus content
- Works In Progress
- To do
Cleanup > To do
Cleanup > Works In Progress
Games > Games by content > Games with debugging functions
Games > Games by content > Games with hidden bonus content
Games > Games by content > Games with hidden development-related text
Games > Games by content > Games with regional differences
Games > Games by content > Games with unused code
Games > Games by content > Games with unused music
Games > Games by content > Games with unused sounds
Games > Games by content > Games with unused text
Games > Games by developer > Games developed by Cyberflix
Games > Games by platform > Mac OS Classic games
Games > Games by platform > Windows games
Games > Games by publisher > Games published by GTE Entertainment
Games > Games by release date > Games released in 1996